(no subject)

Sunday, May 3rd, 2026 04:51 am
delphi: An illustrated crow kicks a little ball of snow with a contemplative expression. (Default)
[personal profile] delphi
Title: Here We Are
Fandom: Chance (2015)
Relationships: Amir Abbas/Trevor Bunting
Rating: General
Word Count: ~850
Content Info: n/a
Summary: An early morning during the first Ramadan of Trevor and Amir's marriage.
Notes: Written for the 2026 round of [community profile] bethefirst. This story is also available on AO3.

The short film this fic is based on was made available for free online by its director, and I really recommend it if you're in the mood for a very sweet later in life romance between a socially isolated widower and a refugee fleeing state violence with his own loss who meet in a London park one day and offer each other a new lease on life.



Here We Are )

(no subject)

Friday, May 1st, 2026 05:15 am

Metropolitan Police Radio Callsigns

Thursday, April 30th, 2026 08:19 pm
inferiorwit: (leverage)
[personal profile] inferiorwit posting in [community profile] little_details

Hi, folks!

I'm currently writing crime fiction set in contemporary London, and I'm trying to figure out whether a police officer on the radio would be specifically identifiable to someone listening in.

Does the Met use radio callsigns that are unique to each officer? Or are callsigns assigned to specific beats, instead? Or a secret third thing?

Thanks!

May 1st General Strike

Thursday, April 30th, 2026 04:06 pm
solarbird: (korra-on-the-air)
[personal profile] solarbird

One-day general strike, via Indivisible.

You in?

Posted via Solarbird{y|z|yz}, Collected.

Post and Jam: Broken Arrow by Robbie Robertson [1987]

Thursday, April 30th, 2026 08:53 am
delphi: A carton of fresh blueberries. (blueberries)
[personal profile] delphi
Fandom 50 #11

For 1987, we have a track off Robbie Robertson's first solo album after leaving The Band and following a decade of largely producing, collaborating, and doing soundtrack work. It's also one of my "two nickels" in terms of all-time favourite songs that ended up being covered by Rod Stewart exactly four years after they were released.

Broken Arrow by Robbie Robertson

(no subject)

Thursday, April 30th, 2026 05:37 am

What's Making Me Happy Today: Be The First!

Wednesday, April 29th, 2026 08:52 pm
delphi: An illustrated crow kicks a little ball of snow with a contemplative expression. (Default)
[personal profile] delphi
I won't have a chance to tuck in until tomorrow, but this year's [community profile] bethefirst collection is open!

This challenge involves writing the first fic for a fandom, and this time out there are 37 fics with 37 newly minted fandom tags, ranging from early 20th century contemporary novels to fantasy webcomics, horror podcasts, and art films.

The Collection on AO3

The Fic List on DW (since most fandoms aren't wrangled on AO3 yet)

(no subject)

Wednesday, April 29th, 2026 04:42 am

(no subject)

Monday, April 27th, 2026 05:50 am
[syndicated profile] apod_feed

Inside the head of this interstellar monster is a star that is slowly destroying it. Inside the head of this interstellar monster is a star that is slowly destroying it.


Catholic church question, early 1700s

Sunday, April 26th, 2026 01:06 pm
dinogrrl: nebula!A (Default)
[personal profile] dinogrrl posting in [community profile] little_details
I'm (still) writing a fantasy story set in early 18th century Venice, and there's several scenes of the main character and her family attending Mass or otherwise being inside their church. It's not a big cathedral, more like a well-attended neighborhood church.

My question is probably very stupid but where the heck do the men put their hats while attending Mass or whatever else they're in there for? Do they just like, put their hats beside themselves on their seats? Or just hold onto them on their laps or some other way? Or would your average 18th century Catholic church have a sort of coat room or somesuch? My google-fu is failing in finding a church layout from that time period or text explanation, though I did find a good article about priests wearing wigs...

What I'm Reading: Spent by Alison Bechdel (2025)

Friday, April 24th, 2026 03:42 pm
delphi: An illustrated crow kicks a little ball of snow with a contemplative expression. (Default)
[personal profile] delphi
[personal profile] kingstoken's 2026 Book Bingo: Main Character Over the Age of 30

Spent by Alison Bechdel is a 2025 fictionalized memoir about a cartoonist (coincidentally named Alison Bechdel) who lives on a farm in Vermont with her partner, running a goat sanctuary while trying to write a graphic novel (or maybe it'll be a television show?) about capitalism (or maybe it's about her group of middle-aged queer friends).

The real Alison Bechdel is the creator of the long-running and groundbreaking comic strip Dykes to Watch Out For (1983-2008) and the award-winning graphic novel memoir Fun Home: A Family Tragicomic (2007), and that knowledge is something I think Spent depends on. It's not just that Sparrow, Stuart, Ginger, and Lois—and a grown-up Jiao Raizel—from Dykes to Watch Out For are fictional!Alison's neighbours in this, or that fictional!Alison is grappling with having an autobiographical success publicly leave her creative control through adaptation. The heart of this work exists in a very specific instant, where a queer leftist artist in middle age and the middle class is sitting at a career crossroads in the global car crash of late-stage capitalism, finding herself in an uncertain position between privileged and marginalized, mainstream and fringe, consumer and creator, progressive and out of touch.

My favourite parts of this book were the subplots with the characters from Dykes to Watch Out For—particularly storylines like Stuart and Sparrow expanding their relationship to a throuple, only for their poly kid to nonetheless jump to the conclusion they're both having affairs—and I found myself wishing I were reading it as a serial strip that could add up to more time with them. But that might be saying something about where and when I'd rather be.

This is a book that got me thinking about a lot of its topics, but more through its general timeliness and the role of Bechdel's work in the culture than through a connection with the characters or something in the writing hitting particularly hard. Still, while even the lighter stories didn't quite land in the right place for me to see myself revisiting them on rainy days, I do want to imagine a better future where I get to go back to this book someday and see it as a snapshot of a weird moment in time where we were all trying to figure some stuff out. I wouldn't necessarily recommend it as anyone's first Bechdel, but I'm glad I read it.

An Excerpt )
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